barbara konopka <konopka@lycos.com>
"Illuminations on-line. Binary man."
1998/99, 8 [d]photograms, 92/120cm each |
Thanks to the redundance of the modified version of the portrait,
Barbara Konopka shows its mechanism as a stuffy space for the production
of a split personality - as the slit between the cognitive subject
and its object (which are supposed to be identical in this case)
where the “I” is wrought.
“[...] Even when the other is only me, me playing the part of another
“me” in a double role: of the sender and of the receiver. Between
those two roles, between me and the others (even if I am “them”
myself), a split appears which makes any completeness of identity
quite impossible.” (*)
The abovementioned split becomes the internal space for the ever
repeated attempts at constructing the identity of the subject. The
real world becomes only an element of the internal psychomachia
within this space. The solipsistic relation is the reason why man
as a being for himself is not able any more to enter the optimal
interpersonal relations. The on-going privatization of society and
the separation of man from other people lead him to create his internal
space of the superego, where he feels an exile.
When Barbara Konopka exorcises the “I” in a multiple portrait she
gives up the prerogatives of the subject lost in the nuances of
its own interior in order to introduce the figure of a binary man
in her series of digital photograms called “Illuminations. On-line.”
The binary man becomes the material used to form virtual subjectivities
in their relation with the exterior, with the other, not with the
Identical. Konopka presents the binary man as a double being, empirical
and transcendental, made up of two bodies - the physical and the
media body.
The binary man as a set of analytically atomized physical and mental
elements forms the potential for the constitution of subjectivity.
It is the frame in whose space osmoses and interphases take place
and where ephemeral identities crystallize as the result of contacting
any given other.
Constant movement, nomadic dismemberment and the location in space
makes the binary man a phenomenon which constantly improves and
broadens its communicative potential. The possibility of permanent
transgression and personality transformation denies thinking in
terms of identity-as-foundation.
(*) M.P. Markowski, "Efekt
inskrypcji. Jacques Derrida", p. 396
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